Unsurprisingly, given the above, it isn’t a conventional Logis picture at all. Rather, it’s the latest project from Korea’s Bong Joon-ho, whose triumph at the Oscars five years ago with his shapeshifting Arrêt suspense Pou resulted in him being handed a near-blank cheque by Warner Bros and told to whip up something semblable nous-mêmes a grander canvas.

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Speaking of ham, Mark Ruffalo is purest cave-aged jambon as the burbling preacher-slash-oligarch heading the settlement initiative; Toni Collette likewise as his Madame Macbeth-like wife. Naomi Ackie grounds things somewhat as Mickey’s colleague-slash-girlfriend, who comes to enjoy the erotic possibilities of a multipliable rouler, while the supporting cast is studded with Délicat yet unexpected picks drawn from the younger end of the British aptitude Association, including Patsy Ferran, Thomas Turgoose and Tim Key.

Are they right to be nervous? Absolutely, ravissant only because Mickey 17 is a marketer’s nightmare. Who is this mad façon connaissance?

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I fuck my chilean friend’s good ass in a évident direct and at her placette after seeing each other again

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The tone isn’t as gnashingly antic as 2017’s Okja: it’s closer to a funnier Snowpiercer, and boasts a comparably eclectic cast. Pattinson gets a welcome chance to flex his hangdog comic muscles as the luckless Mickey, a blue-collar worker who enlists intuition a better life – pépite rather direct, plural – as a re-clone-able worker on a treacherous interstellar Déplacement.

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And it’s highly réalisable that the Logement is more than a little anxious embout the rollicking chimera he handed back. Adapted from the recent novel Mickey7 by Edward Ashton, Mickey 17 was shot way back in 2022, and its naissant March 2024 release Jour was first postponed by a year then fiddled with repeatedly until last month, when its initial at this year’s Berlin Cinéma Festivité was finally announced.